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Media Buying · Tampa BayNegotiating the buy, not just placing the ad.
Most agencies stopped at digital because broadcast is harder. It involves rate negotiation, flight planning and knowing which show a specific audience actually watches. We have run this at scale, on a seven-figure annual media budget across streaming, broadcast, radio, outdoor and gaming. The negotiation is where a meaningful share of the value sits.
The actual scope.
Channels
- OTT and streaming TV
- Broadcast television
- Radio
- Outdoor and billboards
- Twitch and gaming platforms
- Digital display and video
Planning and negotiation
- Rate negotiation, not rate card acceptance
- Added value and bonus weight
- Flight scheduling around demand cycles
- Reach and frequency modelling
- Budget allocation across channels
Audience-led placement
- Station, show and daypart selection by audience, not by reach alone
- Placement against specific sports and programming
- Separate media plans for separate audiences
- Creative adapted per placement
Accountability
- Source tracking so each channel is attributable
- Regular performance review by source
- Cutting channels that underperform and reallocating
- Reporting in plain language
Where this pays off.
Multi-location businesses
Where two locations serve genuinely different audiences and need different media plans.
Recruiting and enrollment
Continuous-intake operations that cannot run on campaign bursts.
Audiences not on LinkedIn
Trades, technical training, consumer services. Buyers you cannot reach by job title.
Media Buying FAQs.
What is media buying and how is it different from running ads?
Running ads means setting up campaigns on a self-serve platform at published rates. Media buying means negotiating directly with stations, networks and outdoor operators over rate, placement, flight dates and added value. On broadcast and outdoor the rate card is a starting position, not a price.
Is broadcast or streaming worth it for a smaller business?
Sometimes, and often not. It works when your audience is defined by something other than job title, by a trade, a life stage or a geography, and when you have enough budget to buy meaningful frequency. Buying a handful of spots produces nothing, and we will say so rather than take the booking.
How do you decide which stations, shows or platforms to use?
By finding out what the audience actually consumes rather than inferring it from demographics. On one engagement we surveyed the client's own customers, who told us they were watching Twitch. Not a platform anyone would have predicted for that category, and not one we would have reached by reasoning from demographics.
Can you actually track results from TV, radio or streaming?
Better than most people assume, though never as cleanly as paid search. Distinct landing pages and numbers per channel, matched-market comparison, and correlating spend flights against lead volume all work. Anyone promising click-level attribution on a radio buy is overselling.
Do you require a minimum spend for media buying?
There is no fixed floor, but there is a practical one: below a certain weight a broadcast or streaming buy cannot produce enough frequency to be noticed. We will tell you where that line sits for your market before you commit budget.
Often paired with this.
Paid Advertising
LinkedIn Ads first, with search and paid social where the audience warrants it.
Campaign Planning
Objectives, audience, channel mix, calendars and the metrics agreed up front.
Marketing Automation & CRM
CRM selection and implementation, nurture flows, email and SMS automation, lead routing.
Event Lead Capture
Trackable capture at events, with follow-up that actually happens.
Talk through your situation.
The free visibility audit is the fastest way to find out whether this is the right place to start, or whether something else should come first.
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